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especially contemporary American theater and performance. I have an M.F.A. and a doctorate

the first artistic director of the Eugene O'Neill Playwrights Festival and simultaneously spearheaded the Yale Repertory Theatre. Importantly

and how did you navigate them creatively?</strong></p>

we have amazing alumni

Bryan Reynolds. We had amazing stage management support from Logan Brubaker and a ton of other people who have contributed to this project. With that said

and even though I'm a professor

staff

collaboration

the history

asking questions and engaging in dialogue with the creative team of a new play

was there an intentional decision to schedule performances of <em>Ancestry</em> during the last week of Black History Month and on W.E.B. Du Bois’ Birthday?</strong></p>

that's a great point. I didn't figure that into the calculus of the schedule. And in all transparency

what conversations and sentiments do you hope audiences take away from the performance?</strong></p>

within the larger framework of the International Theater of Community Festival

is that we oftentimes grasp for the motto of “arts

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